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In fact, if the Oxfordshire residence is anything to go by, Meier is very sincere. Meier gets accused of being insincere in his appropriation of early-Modernist design strategies. There is a kind of double emphasising in his work. In this climate, Meier didnвЂ™t simply continue in the tradition of Modernism he restated it. In the rareп¬Ѓed climate of US academic debate, this had to a be quasi-philosophical position. Meier stuck to his guns, unlike Graves who jumped ship to join Venturi. Unlike the other four of the п¬Ѓve Architects with whom he was grouped (and in turn grouped himself in the 1975 book п¬Ѓve Architects), Meier never justiп¬Ѓed his drawing style with the theoretical twists of say, Eisenman, for whom new forms of perspective in architectural drawing would generate new form. This building is geometric, solid and tight as one might expect.

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Above is the ground public п¬‚oor вЂ“ living room, dining room and kitchen plus ofп¬Ѓce etc вЂ“ and on top, the bedrooms. A long basement (containing the clientвЂ™s studio, a huge laundry room, an exercise room and a plant room) contains the guts of the house. Though more elongated than MeierвЂ™s American houses, the grid still reigns supremeД®ven though more elongated than MeierвЂ™s American houses, the grid still reigns supreme, both across plan but also across the section. Then a long east-west corridor which creates the spine of the house, and then the more public, whiter parts of the building towards the stunning view from whence one has justВ arrived. One accesses the building at mid-point through a simple door, and passes immediately through a band of private rooms arranged east to west: recreation room, ofп¬Ѓce and gun room, which are all lined in wood.

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The interior and exterior are a series of thick bands in terraces across theВ hill. This layering вЂ“ recreation, road and house вЂ“ is picked up inside the main house, which has a particularly narrow plan given what it contains. A bridge leads off it on to the п¬Ѓrst п¬‚oor of the house. To the left is a strip of recreation behind white walls: guest house, walled tennis court and, above the huge garage, a swimming pool, which due to the slope, can also be accessed at grade from a wooded ridge above. Or to be more accurate the road widens and then stops, because there are no historical tropes, no archways or gates to denote that one has entered the home there is merely the space itself. The pre-existing driveway winds up the west side of the hill and ends in a large courtyard. Any qualities the Oxfordshire residence shares with that typology are simply down to his being able to stretch out across an east-west plot cut into the top of a hill on the site of a sprawling-yet-mundane 1930s villa which looked like a massively inп¬‚ated bungalow. Admirably, Meier doesnвЂ™t seem to be the remotest bit interested in the history of the English country house.

His ostensible loyalty to the design principles and palette of early Modernism has often been at odds with architectural fashion, but never more so than today when, in rural England, tastes and planning culture urge architects towards a certain historicism, particularly in terms of material but also in terms of form. There is something distinctly improbable about Richard Meier completing his п¬Ѓrst house in the UK at the age of 82.

In 1984, Meier was awarded the Pritzker Prize for architecture, for his abstract sleek designs, innovative use of light and shadow, and -most notably- his signature plain white buildings.ДЇrankly, Richard Meier has permanently stepped down from his firm after several accusations of sexual harassment, leading to major changes in the firm, including a rebranding campaign majorly in the terms of who will be leading the studio.ДЄlthough RichardвЂ™s name has been removed from the firm to be вЂњMeier PartnersвЂќ, it is said that he will still be available for consultations upon request.Meier doesnвЂ™t seem to be the remotest bit interested in the history of the English country house Richard Meier & PartnersвЂ™ projects went global-it received notable commissions in the United States, Europe, and Asia, and it covered all types of buildings: courthouses and city halls, museums, corporate headquarters, and housing. Moreover, he was one of the New York Five a group of architects based in New York City whose work was featured in the 1972 book Five Architects and were referred to as вЂњthe whitesвЂќ.

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Courtesy of Richard Meier and Partners (Previously)Д«orn in 1934, Richard MeierвЂs life is full of notable milestones he studied architecture at Cornell University, worked for Skidmore, Owings, & Merrill, and then for Marcel Breuer before opening his own firm in 1963: Richard Meiers & Partners.

Richard meier architect